![]() ![]() During that first meeting, Hitchcock basically just brake to her about his own life, talking about the great restaurants he eat in that in cities around the world. So she agreed to meet hitch and talk about the job. So she's like, okay, well, it's the natural progression, natural progression. He offered her a three year contract, and even though the contract was for less money than she had been making modeling, she considered, you know, three years of guaranteed (04:40): income a more stable move than continuing to act in commercials. But Hitchcock saw her real and wasn't chanted by her. She in fact, had no particular ambition to be an actress. Hedron was a veteran model and at thirty two and mother, but she had no real experience in the film industry. So Alfred Hitchcock first saw Tippy Hedron in nineteen sixty one when she appeared in a commercial (04:19): that he watched for like a weight loss supplement thing. Alfred Hitchcock's career with Tippy Hedron. In the scene when she is just taking a part that mental hospital like and just destroying those men. Yeah, like I thought in T two she was better than Arnold and she's she's a way more impressive action star (03:57): in that movie I've seen when she breaks down is the best. She's I mean, she's one of the few actresses that actually topped the star. Yeah, although she's about to be in another one of those movies. You want to do a bunch of stuff unless you marry them, like Helen Bonham Carter or like Sarah Connor. You know, most actors who don't want to work with (03:36): one guy forever. He worked with a lot of great actresses, but the most of them didn't quite fit that bill because they were already well established and they moved on after him. And one of the more important things about sort of his life is he had this sort of desire to create the perfect actress. Speaking of people who had their moments, Alfred Hitchcock, he had actually a lot of moments, very influential direct he So when we last walked here, we talked about his early life, his his armor of fat, his controlling mom, his kind of dangerous bordering on torturous, love of pranks sometimes uh women women, his pretty good sense of humor (03:14): when it didn't get mean. Wasn't a great pick for Wesley Crusher? No, no, (02:50): not really. Wait was that a movie? Oh no, it was like it was like a TV series type thing we had to watch in class to learn about the sea that Ben Affleck take you on the waves. Wait wasn't that? Oh I remember that show, but I don't think I ever watched All the Men have to Huddle naked together for warmth and everybody in (02:28): your high school class laughs. But Ben Affleck was on that Voyage of the Mimi thing that we had to watch in high school before he was Ben Affleck, oh ship where he says, holy chickens, that's all peanut butter, which is still my favorite line. (02:08): I think my brother is not a Christian Bale fan. Every Batman has his his lovers and his haters. People don't people don't like him, That's true. You got to Christian Bale before you get to Ben Affleck. No, No, the New One Batman or the Batman Christian Bale or no Ben Affleck Afflete. Good for him, kind of like how what was his name? The guy the Batman that people don't like? Michael Oh oh oh you mean Val Kilmer. Yeah, I think that was (01:47): his first gig. I just saw him on Growing Pains and he was pretty good. It's got Brad Pitt and it it's not a horror movie. Yeah, they did that terrible list of the best horror movies that had World war Z on its World war Z. Yeah right, yeah, right right, I think so. No, that's the shows that are talked about on the Fames (01:26): magazine variety. When people say Cinema Variety, I get mad. Yeah, so I used it right, Yeah, you did fantastic even said it right, fantastic. This is the audio equivalent of cinema verity. Yeah, yeah, don't edit that out (01:05): because that was perfectly timed. My guest ed, Keith, how are you doing? Hi? Hi? Hi? I over up your No, it's fine as long as we leave it in because it's honest. We talked about bad people to hey, we're continuing to talk about Alfred Hitchcock. Because I demand honesty in my podcast, which means we leave in the twenty seconds before I introduced the show, when we're just talking over each other, (00:44): that's because we're professionals. The show we tell you everything you don't know about the very worst people in all of history, one of whom is my producer Sophie, who is flipping me the bird right now. You did in (00:22): Orsten Wells kind of hello friends, Hello friends, We're leaving this in. Speaker 1 (00:00): M hm, are we all kicking? Hello? Friends? Whoa Sophie? You talked over me while I introduced. ![]()
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